Reality Vanishing In Plain Sight
A Curated Show of Altered Images
A Curated Show of Altered Images
October 2 — 20, 2019
Meet the Artists: Sunday, October 20, 2-5 p.m.
Video of ARRYS' Performance, October 10th during the West Queen West Art Crawl
Selected from a Call for Submissions for photographs that make use of the altered or fabricated
image this exhibition presents 24 artists exploring strategies of appropriation and manipulation
to create revealing new images in a broad array of mediums.
Curated by Peter Friedrichsen, Tom Taylor, and Jack Wayne.
Meet the Artists: Sunday, October 20, 2-5 p.m.
Video of ARRYS' Performance, October 10th during the West Queen West Art Crawl
Selected from a Call for Submissions for photographs that make use of the altered or fabricated
image this exhibition presents 24 artists exploring strategies of appropriation and manipulation
to create revealing new images in a broad array of mediums.
Curated by Peter Friedrichsen, Tom Taylor, and Jack Wayne.
Slideshow from Artist's Talk @ Propeller, October 20, 2019
Exhibiting Artists:
Valerie Ashton, My View (10” x 24”, Photo laser cut on Cardboard)
Christopher Bradd, Sharpened to the Point of Infinity (After Lola Álvarez Bravo) (6.5” x 17”, Pigment on Archival Paper)
David Brandy, Kaleidoscope Of Lives Once Lived (28” x 42”, Archival Pigment Print, Edition 2/10, 2015)
Melanie Chikofsky, Doppelganger (24” x 18” x 2”, Encaustic Wax Photo-Transfer on Wood Panel, Lead Shot)
Kathleen Clayton, Into the Wild (24” x 16”. Digital Photograph, on Canvas, 2019)
Ulla Djelweh, Water, Essence of Life #1 (16" x 12”, Photomontage, 2018)
Matthew Grimm, Where_is_my_mind-The_Pixies.mp3 (7”x 7”, Digital Collage Print, 2019)
Brian Groberman, Contemplation (11” x 15”, Pigment Print on Archival Paper, 2019)
Shelagh Howard, Arachne (24” x 20” Archival Digital Print, mounted and shadow box frame, 2018)
Laura Kay Keeling, Lady Brain (30" x 22", Digital Collage, 2019)
Robin Kingsburgh, The Hearn: Private Spaces (24" x 36", Mixed Media, 2018)
Andrew Lennox, Port Carling (4' x 6' x 3", Photo emulsion on Vinyl Projection Screen, 2016)
Michelle Letarte, Namibia Twyfelfontein Petroglyph (8“ x 6”, Photo transfers and acrylic paint on Canvas, 2019)
Joann Maplesden, Photo Booth, 1974 (12" x 12", Photo on Canvas, resin-coated, 2008)
Rafaela Oliveira, City in Movement #1 & #2 (12” x 14" Photograph, 2019)
Frances Patella, House 2 (12” x 18”, Giclée Print from a film exposure, 2011)
Alejandro Rizzo Nervo, Fabricated Realities, Ascension, 2019 (42” x 142", Digital composite, Inkjet print, 2019)
Mike Steinhauer, Echo Chamber (20” x 20”, Inkjet Print printed on Epson Premium Luster paper, 2019)
Rennie Taylor, Bottom's Up (11" x 14", Photo Collage, 2019)
Daniela Tiger, A Helping Hand (15” X 14”, Fibre) & Best Friends (27” x 22.5”, Fibre)
Andres Vosu, Artist’s Vow (24” x 12”, Digital Altered Photography, Matte Media transfer onto Wooden Panel)
Ross Williams, Burning Our Lifeline (30” x 20”, Photograph - Film Emulsion Manipulation, 2019)
Shelley Wildeman, Mirrored Passage, Ontario Place (23" x 33" Archival Pigment Print, 2018)
Lingxiang Wu, A Modern Flaneur’s Possessions - Toronto (2018) (24” x 24”, Collage, Inkjet Print, 2018)
Kaleidoscope Of Lives Once Lived, David Brandy (February 2015, Archival Pigment Print, 28"h x 42"w)